Team Kimberlin Post of the Day


This appeared in my Twitter Notifications yesterday—I went over to MySpace (yes, it’s still on the web) and checked out the Op-Critical (Brett’s most recent band) songs posted there. While I was able to see the web pages for them, I couldn’t get any of them to play. All were posted during the 2003 to 2012 period supposed to be affected.

BTW, the times played listed for every one other of the songs I checked were all the same. Karma seems to be catching up with The Dread Deadbeat Performer Kimberlin.

Team Kimberlin Post of the Day


Lying liars gotta lie, and that explains the bulk of the nonsense that The Dread Deadbeat Pro-Se Kimberlin has put out in support of his lawfare. The TDPOTD from four years ago today cataloged this set of lies.

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Here’s an interesting claim from one of Exhibit 7 of The Dread Pro-Se Kimberlin’s omnibus opposition to the motions to dismiss his Kimberlin v. The Universe, et al. RICO Madness. ECF 231 EX7-9The SAC (that’s the second amended complaint) alleges that the mythical RICO enterprise began picking on Brett in August, 2010, although it doesn’t mention any specific acts occurring until October. So what sort of “social causes” was The Dread Performer Kimberlin “highlighting” before August, 2010? Well, in March of that year he was promoting teenage love with werewolves.Op-Crit Tweets

As for TDPK’s claim that he was unable to produce songs and videos after August, 2010, Freakin Frackin was posted to YouTube on 12 January, 2011; Occupy Music Video: Anonymous was posted to YouTube on 17 June, 2011; Coal Miner’s Family was posted to YoutTube on 5 December, 2012; and that’s not a complete list of TDPK’s work published online since 2010.

The most amazing things about Brett’s lying is how clumsy he is with it. You’d think that after all those years of practice, … oh, never mind.

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The Twilight Angel video is still up on YouTube. I don’t recommend listening to it unless you have a large quantity of industrial-strength weapons-grade ear bleach available.

The Gentle Reader who is familiar with The Dread Deadbeat Performer Kimberlin’s background may draw his own conclusions about why Op-Critical might put out a music video related to a movie targeted at underage girls.

Team Kimberlin Post of the Day


Six years ago today, I published a post about the person who was listed as the Executive Director of the Kimberlin not-for-profits, Justice Through Music Project and Velvet Revolution US (now renamed Protect Our Elections/EMPR Inc.). The post was titled Dread Pirate #BrettKimberlin’s Boss’ Day Job.

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Court records show an email address for a Jeffrey R. Cohen who has the same street address as Justice Through Music Project. That email address is associated with the law firm of Millen, White, Zellano & Branigan. The firm’s web site gives this information about Mr. Cohen:

Our entertainment practice focuses on music, film and television. Because of our intellectual property expertise, we understand not only the finer points of contract terms but also the significance of the intellectual property issues at hand. Jeff Cohen heads this practice group. Jeff owns Sumerian Records and is a partner in an entertainment management company Outerloop Management.

Here are links about Sumerian Records and Outerloop Management.

Hmmmm.

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Shortly after that post went up, it received this comment.Here was my reply.

As Bill Schmalfeldt likes to point out, 29 October, 2012, was the day Hurricane Sandy came ashore. Over the next couple of days, I was working with our local ham radio club in support of the shelters that been opened because of the weather. While at one of the shelters I shared the story of this lame SWATting threat with several deputies who it turned out were scheduled to work the evening shift on Halloween. We agreed that I’d have Halloween goodies set aside for them to take home to their kids if they were called to my house.

Of course, the person making the threat chickened out. Cowardly cowards gotta cower.