Team Kimberlin Post of the Day


The Dread Deadbeat Pro-Se Kimberlin included me as a defendant in four of the many LOLsuits he filed over the past few years. The third suit that included me was his RICO Retread LOLsuit which tried to revive the state law claims from his first RICO case. The TKPOTD from four years ago was one of the early reports on the process of defeating that third lawsuit.

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During the motions hearing last week in the Kimberlin v. Most of the Universe, et al. RICO Retread LOLsuit, Judge Mason was well prepared. He said this to The Dread Pro-Se Kimberlin while dealing with my motion to dismiss for improper venue.

THE COURT: And I’ve looked through your 52-page complaint a couple of times and again just this morning before coming out on the bench because I wanted to make sure that I understood precisely what is being alleged here.

The judge then proceeded to explain to TDPK some of the deficiencies in his pleading concerning me. I’d share some of that with you, but I don’t want to refresh the midget’s memory. TDPK has this to say to the judge:

MR. KIMBERLIN: I wanted to limit this case to the swatting. That’s what I’ve done. You know, if I have to refile against Mr. Hoge in Carroll County or in this county, you know, it would be another massive lawsuit. I would like to keep him in this case, whether through an amendment or whatever and let a jury decide, you know, what he’s done with regard to the swatting. You know, part of what the whole Everybody Blog About Brett Kimberlin Day was to portray me as a criminal swatter to silence conservative bloggers, you know, which was not the case. I have nothing at all to do with any swattings at all.

movie popcornAnother massive LOLsuit? Really? I suppose that means that TDPK has not yet figured out that there are some people who aren’t soft targets for lawfare. If he has learned anything about tangling with me, he’ll wise up and fail to amend his LOLsuit by the 18th, or, if he really comes to his senses, he’ll dismiss the entire LOLsuit for all the remaining defendants.

I wouldn’t bet on his acting wisely, so the Gentle Reader may want to lay in a good stock of popcorn. Here’s a deal from Amazon.

Stay tuned.

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The Gentle Readers will note that I often suggest that they stay tuned. I’d offer the same suggestion to The Dread Deadbeat Performer Kimberlin’s guitar, but …

Team Kimberlin Post of the Day


Not every TKPOTD is about Brett Kimberlin or his Internet PR flack Bill Schmalfeldt. On occasion, we’ve taken a look and some of the bit players. For example, five years ago today, William Ferguson was the object of this site’s pointage, laughery, and mockification.

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There seems to be a certain lassitude among the members of Team Kimberlin. Take Very Ordinary Seaman Ferguson for example. I don’t generally concern myself with ankle-biters like VOSF, but I take a look at his The Mockery Continues blog (No, I won’t link to it.) every six weeks or so to see if they’ve finally got his meds adjusted.

I took a look yesterday evening and found that he hasn’t had anything to say about me for a couple of weeks now.

Hmmmmm.

Either he’s disappointed by having his fearless leader’s case thrown out or they’re finally giving him enough of the right stuff. Or perhaps both. It really is no concern of mine.

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I must confess that comparing Very Ordinary Seaman Ferguson to Peter Lorre is unfair. Lorre’s whistling is vastly better than anything VOSF has ever served up as alleged music.

The Mockery Continues.

Team Kimberlin Post of the Day


Today is the fifth anniversary of the start of the Kimberlin v. Walker, et al. trial, the first of four LOLsuits the Dread Deadbeat Pro-Se Kimberlin lost against me. My publication of the graphic shown in the TKPOTD from six years ago today was part of the bases for his claim that I had defamed him.

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DredPedoKmbrlnHere’s how Brett Kimberlin described his musical ambitions to his biographer Mark Singer as Kimberlin was being release from prison in 1994 (Citizen K, p. 354).

I’m doing this for the money. I’m doing it for fun and creativity too, but it’s mainly for the money. It’s like vengeance. I can go out there and say things and reach a huge audience, and it’s a kind of revenge on all the people who hate me. Can you imagine if I have a number-one hit and I’m all over the radio—every time [former U. S. Attorney] Jack Thar turns on the radio, there’s Brett Kimberlin? Success is the best revenge. These people who wished me ill, who lied about me, made up these stories, turned me into this monster, will just turn green with envy. Every quote from Thar over the years has been “God! How can you believe this guy!” All this publicity I’ve gotten will now be working for me. My lyrics are very potent, and they’ll touch a lot of people. I see myself as being in the Phil Collins mold more than, say, in the Michael Jackson mold. I can’t be fake that way. I have to be real.

Uh, huh.

It may be that more and more people are beginning to see a certain similarity to Michael Jackson after all.

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TDPK lost that LOLsuit because he presented no evidence (“Not one scintilla,” was the phrase Judge Johnson used.) that any thing I had said or written about him was false.

Team Kimberlin Post of the Day


One of the most persistent wastes of Internet bandwidth inflicted on the Universe by Team Kimberlin is the op-critical dot com website that allegedly promotes The Dread Deadbeat Performer Kimberlin’s band Op-Critical. Seven years ago, I posted #BrettKimberlin and Op-Critical which noted … oh, I’ll let it speak for itself.

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Tuesday night, I posted a review of the CD released by Brett Kimberlin’s previous band Epoxy. His most recent music group is called Op-Critical. The band has a website, a rather stale one that doesn’t appear to have been updated for several years.

While nosing about the site, I found these lyrics as part of a song called Fork

I am losing all control and I just don’t know what to do …

Yep, we are controlling transmission. If we wish to make it louder, we will bring up the volume. If we wish to make it softer, we will tune it to a whisper. We will control the horizontal. We will control the vertical. We can roll the image, make it flutter. We can change the focus to a soft blur or sharpen it to crystal clarity.

You have gone past the outer limit of what you might have been able to control, but the truth will bring clarity. But clarity may not be your friend.

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Yep. The result of The Dread Deadbeat Pro-Se Kimberli’s lawfare campaign of brass knuckles reputation management was that he lost control of his public persona.

Oh, and as for the op-critical dot com website, it doesn’t seem to have been updated since my post was published in 2012. Here’s a snapshot of it from yesterday evening.

Team Kimberlin Post of the Day


It’s the seventh anniversary of the post that’s had the most hits here at Hogewash!Review: “Nothing Else” by Epoxy (#BrettKimberlin).

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Back in 2002, Brett Kimberlin fronted a band named Epoxy and released a CD called Nothing Else. The story he spun promoting the album was that it contained songs that he had written while he was being held as a political prisoner in the federal prison system.

The band consisted of Brett Kimberlin on guitar and vocals, Wade Matthews on Bass, and Robbie White on Drums. The genre of the album is someplace between grunge and punk, neither of which are among my favorite musical forms.

Let me first comment on Mr. Kimberlin’s voice. I had heard his speaking voice in court, and I understand why some people refer to it as whinny. His singing voice reminds me of the silly voice that Weird Al uses on tracks such as Eat It. Mrs. Hoge, who listened through the CD with me, said, “Eddie Haskell.” On most of the tracks his voice was off key, usually flat.

Most of the songs could have been filler tracks on a generic grunge album. Some of the alienation in them seems to be more appropriate for a 17 year old, not someone 30 years older. Mr. Kimberlin was in his late 40s when the recording was made. However, three of the songs stood out. Vicegrip was actually interesting musically. Donuts had clever lyrics. It’s about lousy prison food and would probably get a nod of approval from G. Gordon Liddy.

Then there’s the last cut Keyhole. It was outstandingly bad. Mrs. Hoge and I met while we were in the music business, and during her career as a recording engineer, she recorded more gold and platinum records than I did. Her comment was, “If you’re gonna mike a guitar that close, you should use a better guitar and make sure it’s in tune. And get a better guitar player.”

While he didn’t do especially well with the acoustic guitar on Keyhole, Brett Kimberlin is actually a reasonably good guitarist. He probably couldn’t cut it in Nashville or LA, but could make a living in a minor market (such as Seattle) or playing the Holiday Inn circuit. Indeed, the world would be a better place if he did ignore the usual advice and give up his day job.

Nothing Else by Epoxy (Pollen Records, $16.04 from Amazon) is interesting because of who recorded it, but I can’t honestly recommend it for the musical experience it offers.

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This exchange from a somewhat delayed comment is a favorite of mine—

In one of his multitude of LOLsuits, The Dread Deadbeat Performer Kimberlin complained that the reporting here at Hogewash! was interfering with his business as a musician and composer. Certainly, the review above could be characterized as adverse. OTOH, the Gentle Reader can check out the Op-Critical and Justice Through Music video still lurking on YouTube and form his own opinion concerning TDPK’s talent and commercial viability as a musician.

In another of his LOLsuits, The Dread Deadbeat Pro-Se Kimberlin claimed that part of his job description at Justice Through Music Project included filing lawsuits “seeking redress in federal court for violations of his civil and statutory rights.” Considering his track record, it may be that his day job has given up on him.

Team Kimberlin Post of the Day


One of Brett Kimberlin’s persistent hallucinations is that he’s going to have a career as a musician or as a music producer. The TKPOTD for six years ago today dealt with one aspect of that fantasy.

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There’s a Maryland corporation called Act Up Enterprises Inc. It was founded in 2011 by Brett Kimberlin “to provide entertainment services to musicians.” So far, it has one artist signed. She’s Tetyana Kimberlin’s elder daughter.

The company doesn’t do much to promote itself or its artist. Here’s its web page.actup_homeVarious websites related to the sole artist affiliated with Act Up refer to it as an artist management company and a record label—an artist management company with no bookings for its client and a label with no releases.

Hmmmm.

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Over next few years after that TKPOTD was posted, The Dread Deadbeat Promotor Kimberlin tried to jumpstart the career of Act Up’s sole artist. When she was unsuccessful, TDPK tried to place the blame on truthful reporting of his past and present activities by various bloggers. He even went so far as to file criminal complaints against Aaron Walker and me, alleging that our truthful reporting on him had harassed Tetyana’s daughter. Although Aaron and I were charged, the State quickly dropped both cases for lack of evidence.

Act Up’s artist used to have a fairly extensive website. It now looks like this.

And Act Up’s site now looks like this.It’s almost is if TDPK has realized that he’s not cut out for a career in music, and this bit of information from the State of Maryland Department of Assessment and Taxation does tend to support such a conclusion.

Of course, it could be that Kimberlin is simply a bit behind in his paperwork because he’s been busy protecting our elections and doing other important things.