Team Kimberlin Post of the Day

The Deadbeat Performer Kimberlin really wanted, and probably still wants, a career in the music business. He’s struck out as a songwriter and performer, and he’s never been able to worm his way in through his Justice Through Music Project. The TKPOTD for eight years ago today dealt with one of his exaggerated claims about JTMP.

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In his opposition to my motion to dismiss in the Kimberlin v. The Universe, et al. RICO Madness, The Dread Pro-Se Kimberlin wrote the following:ECF 29-16I suppose by “non-profit that works with famous bands and artists” TDPK means “Justice Through Music Project.” If he does, he is misleading the court.

I recently took a look at the Justice Through Music Project website (No, I won’t link to it.) and worked my way back through over a year’s worth of its blog posts. There were lots of stories about “famous bands and artists,” but there was nothing about any of them working with or having anything to do with JTMP.

Nothing. Nada. Zilch. Bupkis.

#Wannabe

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Although I got out of any day-to-day connection the recording industry when Mrs. Hoge and I moved from Nashville to California in 1982, I stayed in the pro audio business for most of the ’80s. During my almost 20 years in recording and broadcast I did have the opportunity to work with some “famous bands and artists.” You may have actually heard of some them.

Team Kimberlin Post to the Day

Brett Kimberlin has been a failure as a litigator. He’s also failed as musician. This was the TKPOTD from seven years ago today.

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bkepoxyThe most viewed post here at Hogewash! is my review of the CD Nothing Else by Epoxy, a band fronted by Brett Kimberlin. It’s still available via Amazon.

The following is from Amazon’s product page and was apparently provided by Kimberlin.

Product Description
If you take the best of guitar based punk and garage rock, add vintage analog technology, replace the theatrics of most modern bands with the real pain of being a real U.S. Government political prisoner, stir well, and you have Epoxy’s Nothing Else — the definition of rock for the 21st century. People are saying that this album will define the standards and the sound of alternative rock for years to come. Here’s what some people are saying about this album.
About the Artist
Brett Kimberlin, guitar and vocal, wrote all the songs on Nothing Else while incarcerated as a political prisoner by right-wing elements opposed to his First Amendment rights to speech and political activity. Many prisoner rights groups came to his rescue, including Amnesty International, Human Rights Watch, American Civil Liberties Union and Families Against Mandatory Minimums, and he was released after several years of suffering. A portion of each album sale will be contributed to these four organizations.

Have I ever mentioned that Brett Kimberlin was convicted of perjury?

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All he he ever had was false narratives.

Team Kimberlin Post of the Day

Brett Kimberlin is a failure. The TKPOTD for seven years ago today dealt with his attempt to blame other for his failed attempts at a musical career.

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Here is one of the allegations The Dread Pro-Se Kimberlin made in his Kimberlin v. The Universe, et al. RICO Madness which was recently dismissed.

ECF 231 EX7-9Personally, I believe that the implosion of his musical career was caused by his music videos being exposed to the public on the likes of YouTube, but, whatever the reason, it is true that his “appeal is becoming more selective.”

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His incompetence goes up to eleven.

Team Kimberlin Post of the Day

The main purpose of the TKPOTD that ran seven years ago today was to point out how poorly constructed Brett Kimberlin’s allegations of defamation were in his RICO Madness LOLsuit. It also took a look at the kind of “social causes” he was supporting with his alleged music.

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Here’s an interesting claim from one of Exhibit 7 of The Dread Pro-Se Kimberlin’s omnibus opposition to the motions to dismiss his Kimberlin v. The Universe, et al. RICO Madness. ECF 231 EX7-9The SAC (that’s the second amended complaint) alleges that the mythical RICO enterprise began picking on Brett in August, 2010, although it doesn’t mention any specific acts occurring until October. So what sort of “social causes” was The Dread Performer Kimberlin “highlighting” before August, 2010? Well, in March of that year he was promoting teenage love with werewolves.Op-Crit Tweets

As for TDPK’s claim that he was unable to produce songs and videos after August, 2010, Freakin Frackin was posted to YouTube on 12 January, 2011; Occupy Music Video: Anonymous was posted to YouTube on 17 June, 2011; Coal Miner’s Family was posted to YoutTube on 5 December, 2012; and that’s not a complete list of TDPK’s work published online since 2010.

The most amazing things about Brett’s lying is how clumsy he is with it. You’d think that after all those years of practice, … oh, never mind.

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I don’t advise listening to Kimberlin’s music videos or his CD without a good supply of ear bleach on hand.

Team Kimberlin Post of the Day

The Gentle Reader who has heard any of the alleged music created by Team Kimberlin (Bill Schmalfeldt’s parody songs, Brett Kimberlin’s music videos, or Willam Ferguson’s technocrap) may find it difficult to believe that there have been occasional bits of good music associated with The Saga of Team Kimberlin. Seven years ago today, I ran this post about The Sorcerer’s Apprentice.

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Last night, I was running iTunes in random mode when The Sorcerer’s Apprentice by Paul Dukas came up. The first time I can remember hearing that piece was when I saw the movie Fantasia at the Tennessee theater in downtown Nashville back in the ’50s. The work is a symphonic poem that tells the story of Goethe’s poem Der Zauberlehrling. You probably know the story: Rather than do his chores the old fashioned way, a young apprentice tries to use magic. He loses control of his enchanted broom but is saved in the end when his master returns and sets things right. Mickey Mouse plays the apprentice in the Disney version.

But back to my story …

I didn’t initially realize what was playing in the background because I was concentrating on writing today’s Team Kimberlin Post of the Day. When I did notice the music, it struck me as somewhat related to what I was writing. The post was about Bill Schmalfeldt’s bumbling attempts at lawfare. He’s tried to use lawfare as an easy pushback against the various attempts to hold him accountable for his online harassment and cyberthuggery. Yet, each time he tries something, the legal waves break higher and higher against him.

One wonders—will his master save him?

Probably not.

His master has been no more successful in the long run with his lawfare. Team Kimberlin’s performance, by master or apprentice, can’t even be described as “mickey mouse.”

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Yeah, Acme isn’t a Disney thing, is it?