The Gentle Reader who has been following the twists and turns of The Saga of The Dread Pro-Se Kimberlin’s vexatious lawsuits has surely noticed the substantial disconnect between TPDK’s allegations and reality. This isn’t a new phenomenon. Mark Singer wrote his biography of Brett Kimberlin a couple of decades ago. Singer writes in Citizen K (p. 310):
Once I compared Kimberlin’s renderings of certain incidents with the recollection of other witnesses, the recurring theme of “jumping the connection” almost always emerged. When a dope dealer jumped a connection, he eliminated the middleman, hoping to cut his costs without increasing his risk. Now, both literally and figuratively, it seemed that Kimberlin had this same habit. Figurative instances were narratives in which he claimed center stage, though in reality he’d participated at a distance or not at all. Or, when it suited his purposes, he might do just the opposite, ascribing to others acts he in fact had performed.
Or simply put: Brett Kimberlin tells whatever lie he thinks is to his advantage at any given moment.